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Il testo dell'immagine : fonti letterarie per lo studio dell'arte medievale
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ISBN: 8800771327 9788800771320 Year: 2021 Publisher: Firenze: Le Monnier Università,

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Abstract

Monumenti e immagini non ci parlano da soli. La comprensione delle opere d’arte di epoche lontane richiede la conoscenza dei presupposti culturali che le hanno motivate, trasformandole in un valore sociale. Questi elementi si possono acquisire, per l’arte medievale, attraverso i testi narrativi, poetici e teologici che li trasmettono, oltre che nelle testimonianze di artigiani, artisti e architetti. Il testo dell’immagine, utilizzabile anche per corsi universitari di Fonti dell’arte medievale o di Letteratura latina medievale per i Beni Culturali, affronta questioni rilevanti dell’iconologia artistica medievale tramite un confronto diretto con i testi latini, di cui si offre spesso una prima traduzione. Dal drammatico conflitto sul culto delle immagini alle concezioni del fenomeno artistico, dalla simbologia della natura alle storie di santi, dai meccanismi delle allegorie bibliche alla valorizzazione del ruolo di artisti e artigiani, dalle curiosità archeologiche nei resoconti di viaggio alle memorie di architetti, dalle normative monastiche sull’arte all’ispirazione politica negli affreschi dei palazzi pubblici, i testi a carattere culturale sono la documentazione indispensabile per un approccio iconotestuale che si integri alle informazioni archivistiche, alle descrizioni materiali e alle valutazioni stilistiche.


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Medieval art at the intersection of visuality and material culture : studies in the 'semantics of vision'
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ISBN: 9782503581538 2503581536 Year: 2021 Publisher: Turnhout: Brepols,

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"The articles in this book contribute to the ongoing shift in the fields of art history and medieval history from considerations of vision to those of visuality by according theoretical accounts of vision and cultural practices of seeing equal importance. Over the last two decades the historiography of medieval art has been defined by two seemingly contradictory trends: a focus on questions of visuality, and more recently an emphasis on materiality. The latter, which has encouraged multi-sensorial approaches to medieval art, has come to be perceived as a counterpoint to the study of visuality as defined in ocularcentric terms.Bringing together specialists from different areas of art history, this book grapples with this dialectic and poses new avenues for reconciling these two opposing tendencies. The essays in this volume demonstrate the necessity of returning to questions of visuality, taking into account the insights gained from the material turn. They highlight conceptions of vision that attribute a haptic quality to the act of seeing and draw on bodily perception to shed new light on visuality in the Middle Ages."

Keywords

Art, Medieval


Book
To Inspire and Instruct
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ISBN: 1527565572 9781527565579 Year: 2021 Publisher: Newcastle-upon-Tyne

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Keywords

Art museums --- Art, Medieval


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Studies in Islamic painting, epigraphy and decorative arts
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ISBN: 1474474837 1474474829 9781474474825 1474474764 9781474474764 9781474474832 Year: 2021 Publisher: Edinburgh

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This lavishly illustrated volume features 19 articles by Bernard O'Kane on a wealth of topics in medieval Islamic art, from the Siyah Qalam album paintings and Arab and Persian illustrated manuscripts, to Egyptian and Iranian decorative arts, and to epigraphic developments in Persian and Arabic.


Book
The lives and afterlives of medieval iconography
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ISBN: 9780271086217 0271086211 Year: 2021 Publisher: University Park The Pennsylvania State University Press

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A collection of essays that evaluate the continued relevance of iconographic studies within current art-historical scholarship by exploring the fluidity of iconography itself.


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Georgia as a bridge between cultures : dynamics of artistic exchange
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ISBN: 9788021098886 8021098880 Year: 2021 Publisher: Brno : Masarykova univerzita,

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The Eloquence of Art : Essays in Honour of Henry Maguire
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ISBN: 1032236612 9781032236612 1351185578 Year: 2021 Publisher: London Routledge

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For those within the fields of art history and Byzantine studies, Professor Henry Maguire needs no introduction. His publications transformed the way art historians approach medieval art through his insightful integration of rhetoric, poetry and non-canonical objects into the study of Byzantine art. His ground-breaking studies of Byzantine art that consider the natural world, magic and imperial imagery, among other themes, have redefined the ways medieval art is interpreted. From notable monuments to small-scale and privately used objects, Maguire’s work has guided a generation of scholars to new conclusions about the place of art and its function in Byzantium. In this volume, 23 of Henry Maguire’s colleagues and friends have contributed papers in his honour, resulting in studies that reflect the broad range of his scholarly interests.


Book
Historical grammar of the visual arts
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ISBN: 9781890951467 1890951463 Year: 2021 Publisher: New York : Zone Books,

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Aloïs Riegl (1858–1905) was one of the greatest modern art historians. The most important member of the so-called Vienna School, Riegl developed a highly refined technique of visual or formal analysis, as opposed to the iconological method championed by Erwin Panofsky with its emphasis on decoding motifs through recourse to texts. Riegl pioneered new understandings of the changing role of the viewer, the significance of non–high art objects such as ornament and textiles, and theories of art and art history, including his much-debated neologism Kunstwollen (the will of art). Finally, his Historical Grammar of the Visual Arts, which brings together many of the diverse threads of his thought, is available to an English-language audience in a superlative translation by Yale professor Jacqueline E. Jung. In one of the earliest and perhaps the most brilliant of all art historical “surveys,” Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that refuse attempts to reduce art merely to the artist’s intentions or its social and historical functions


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The Oxford handbook of Byzantine art and architecture
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ISBN: 9780190277352 0190277351 Year: 2021 Publisher: New York, NY Oxford University Press

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"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--


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Studies in islamic painting, epigraphy and decorative arts
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ISBN: 1474474764 9781474474764 Year: 2021 Publisher: Edinburgh Edinburgh university press

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Lavishly illustrated with many images previously unpublished in colour, this volume features 19 articles by Bernard O'Kane on a wealth of topics in medieval Islamic art.O'Kane examines controversial subjects such as the Siyah Qalam album paintings and major masterpieces of both Arab and Persian illustrated manuscripts. He analyses Egyptian and Iranian examples of decorative arts including woodwork, textiles, ceramics and metalwork, from large-scale minbars to ivory boxes. And he explores epigraphic developments in Persian and Arabic, from the 10th to the 15th centuries in Egypt and Iran.

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